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Sonis Tempus

South Florida Music Producer, and aspiring Graphic Corrupter.

Glitchy nonsense, design, and good music.

Check out my noise:
https://soundcloud.com/tempussonus
https://soundcloud.com/tempusaliis

Twitter
https://twitter.com/SonisTempus

Last.fm
http://www.last.fm/user/SonisTempus

Contact/Bookings/Inquiries
sonistempus@gmail.com
Apr 11 '14
Apr 11 '14

datyungblog asked:

Best music to play to a child in the womb?

theneedledrop:

Drone doom.

Apr 11 '14

postmoderncorruption:

There’s two kinds of sweets

One I can chew
The other who’s morale
I must crush
With my unforgiving molars
Before relishing victory
With its panicked death

Apr 10 '14
Apr 10 '14
Apr 10 '14

catbountry:

robotlyra:

stevenwallaby:

claudefelixfloor:

711kid:

what the fuck

this is the scariest shit i’ve ever seen in my life

This is so cool. Eat Otomo Yoshihide’s heart out.

I’m used to associating this sort of heavy creepy distortion type audio as being achieved by internal studio mixing. Picking sections, warping them, reversing, repeating, all that sort of thing done with the board tools and programming suites. I didn’t stop to think that the same sort of effects could be achieved PHYSICALLY by fucking with the playback tools and the storage mediums themelves. It’s incredibly clever, especially when they introduce the cut-apart and reconstructed vinyl platters, it becomes the audio equivalent of cut-paste collaging or magnetic poetry. It takes something as ethereal and insubstantial as music, and makes it as tangible as sculpture.

Whoa.

Intense.

(Source: ipissedinyourmountaindew)

Apr 10 '14
Apr 7 '14
Apr 6 '14
echophon:

Noise Revolve

echophon:

Noise Revolve

Apr 5 '14

partybarackisinthehousetonight:

if you choose a job you love, you’ll never have to work a day in your life!! because the field you’re interested in isn’t hiring

#thestruggle